十年亞太舞台,見證新世代多元音樂力量
香港青年協會自2011年首辦「香港青年樂隊大賽」,並於2016年將舞台升格至亞太區規模;同年啟動兩日展演「Asia Pacific Sonic Surge」(原「亞太音樂祭」),以呈現多元亞太及本地音樂力量。我們深信音樂無邊界,多年來持續為不同風格與背景的青年音樂人打造專業舞台。2026年,我們將繼續擁抱多元文化,鼓勵新世代拓寬音樂想像:搖滾、電子、民謠、爵士、古典融合、實驗...... 「香港亞太區青年樂隊大賽2026」現正公開招募青年樂隊!立即報名,解鎖你的亞太舞台,用你的音樂重塑未來。(截止報名:2026年9月11日(五)香港時間中午12時正)
A Decade on the Asia Pacific Stage: Witnessing the Diverse Music Power of the Next Generation.
Since launching the "Hong Kong Youth Band Sound Competition" in 2011, the Hong Kong Federation of Youth Groups has been a vibrant hub for diverse musical expressions. In 2016, we expanded the platform to an Asia Pacific scale and debuted the 2-day music showcase "Asia Pacific Sonic Surge" (previously known as "Shine On Stage" and "Asia Pacific Music Marathon") to highlight the vibrant music of local and regional talent. In 2026, we continue to embrace diversity and inspire the next generation to broaden their musical imagination: rock, electronic, folk, jazz, fusion, experimental, and beyond. "Hong Kong Asia Pacific Youth Band Sound Competition 2026" is now calling for bands! Apply now and reshape the future with your music. Your Asia Pacific stage awaits! (Application Deadline: 11 September 2026 (Fri) at HKT 12:00 NN)

亞太青年音樂節2026
Asia Pacific Youth Music Festival 2026
▶香港亞太區青年樂隊大賽2026(香港區選拔賽)
日期:2026年10月18日(日)
時間:(稍後公佈)
地點:炮台山MoM Livehouse
▶香港亞太區青年樂隊大賽2026(亞太區總決賽)
日期:2026年12月11日(五)
時間:(稍後公佈)
地點:香港文化中心露天廣場 場地C
▶Asia Pacific Sonic Surge 2026
日期:2026年12月12日及13日(六及日)
時間:(稍後公佈)
地點:香港文化中心露天廣場 場地C
以上日程如有變更,以大會最新公佈為準。
主辦:香港青年協會
▶Hong Kong Asia Pacific Youth Band Sound Competition 2026 (Hong Kong Regional Contest)
Date: 18 October 2026 (Sun)
Time: (To Be Announced)
Venue: MoM Livehouse, Fortress Hill
▶Hong Kong Asia Pacific Youth Band Sound Competition 2026 (The Asia Pacific Finals)
Date: 11 December 2026 (Fri)
Time: (To Be Announced)
Venue: Piazza area C, Hong Kong Cultural Centre
▶Asia Pacific Sonic Surge 2026
Date: 12 & 13 December 2026 (Sat & Sun)
Time: (To Be Announced)
Venue: Piazza area C, Hong Kong Cultural Centre
The above schedule is subject to change. Please refer to the Presenter's latest announcements for updates.
Presenter: The Hong Kong Federation of Youth Groups
章程及比賽規則(香港本地樂隊)
Rules and Regulations (Hong Kong Local Bands)
章程及比賽規則(香港本地樂隊)
比賽形式及演出邀請
a. 凡報名參加香港區選拔賽之合資格香港隊伍均可直接參賽。評判將選出最優秀之6隊香港樂隊晉級亞太區總決賽。
b. 亞太區總決賽將由6隊香港本地樂隊與6隊來自亞太區其他國家及地區的樂隊同場較量,競逐各獎項。
c. 晉級亞太區總決賽之6隊香港樂隊,必須參與於同地(香港文化中心露天廣場C區)舉行之「Asia Pacific Sonic Surge 2026」其中一天的演出(2026年12月12日或13日),每隊演出時間預計約為30分鐘。
參賽資格
a. 樂隊所有成員年齡必須為35歲或以下(以2026年12月11日計算)。
b. 必須有超過半數成員持有香港居民身份證。
c. 樂隊須由2至6位成員組成,當中須有至少2人演奏樂器;每位參賽者僅限代表一支隊伍出賽。
d. 樂隊成員名單以報名時提交的組合為準,比賽期間不得更換或增加成員。
e. 曾參與由香港青年協會主辦「青年樂隊大賽」之隊伍,均可再次報名參加本年度賽事,惟曾獲獎之歌曲除外(詳見「參賽歌曲」)。
參賽歌曲
a. 參賽作品必須為原創歌曲,音樂形式不限,惟有關歌曲及表演不得涉及政治及宗教言論、粗言穢語、不良意識等,違規者將被取消參賽資格。
b. 參賽作品之核心旋律與歌詞主體須為人類原創,不得直接複製或採用人工智能生成之成品。
c. 晉級亞太區總決賽之香港樂隊,須沿用香港區選拔賽之同一首原創歌曲繼續參賽。
d. 每隊器材調校及演出時間總長不得超過10分鐘,逾時者將被扣分。
e. 所有曾於香港青年協會主辦之「青年樂隊大賽」中獲得前三名或單項獎之歌曲,不得再次用作參賽。
樂器和設備
a. 現場提供:結他擴音器2部、低音結他擴音器1部、電子琴1部、鼓組連鈸片及專業音響系統。
b. 參賽者須自備個人樂器及配件(如結他、低音結他、鼓棒等)。
c. 允許使用音序器、採樣器、DJ設備等各種製作類器材。
d. 參賽樂隊在整個賽事(選拔賽及總決賽)中必須選用相同之樂器組合。
評選規則
a. 大會將邀請資深音樂人擔任評判。
b. 評分標準:音樂創意(25%)、藝術演繹(25%)、團隊默契(25%)、台風與形象(25%),合共100%。
c. 恕不提供評分紙予參賽樂隊。
d. 評判團所商議之比賽結果為最終決定,參賽者不得異議。
e. 總決賽入圍名單將於11月13日在香港青年協會文化藝術組官方網站(http://csu.hkfyg.org.hk)、Instagram及Facebook 同步公佈,並以電郵另行通知入圍者。
f. 大會保留取消任何隊伍參賽資格之權利。
獎項及獎金
a. 亞太區冠、亞、季軍:依次可獲得現金獎港幣$5,000、$3,000、$2,000,以及獎盃。
b. 香港區冠、亞、季軍:依次可獲得現金獎港幣$3,000、$2,000、$1,000,以及獎盃。
c. 設最佳歌詞(香港區)、歌手、結他手、低音結他手、鼓手及鍵琴手獎項,各獲現金獎港幣$1,000。
d. 未來如有其他演出機會,均會優先考慮入圍總決賽之香港樂隊。
e. 大會保留頒發任何獎項之權利。
版權、私隱及主辦權利
a. 大會有權對比賽及演出進行攝影、錄音及錄影,並使用該素材作推廣用途。
b. 參賽者個人資料將嚴格保密,僅供是次比賽行政用途。
c. 大會保留修改比賽規章之最終權利。
香港區選拔賽報名及繳費方法
a. 報名方式:填妥網上報名表格(LINK),並繳付報名費用(每隊港幣$500)。大會將於收到報名資料後3個工作天內聯絡隊伍,核實參賽資格並提供付款詳情。
b. 報名費用一經繳交,在任何情況下均不設退款。參賽者繳交報名費用即代表同意並接受此條款。
c. 截止報名:2026年9月11日(五)香港時間中午12時正
查詢
Ms. Danielle Zhang
電話:2395-5753
電郵:[email protected]
參考資料
歷屆場刊:LINK
精華片段:2025年 | 2024年
Rules and Regulations (Hong Kong Local Bands)
Competition Format and Performance Invitations
a. All eligible Hong Kong bands applying for the Hong Kong Regional Contest will enter the selection process directly. The judging panel will select the top six Hong Kong bands to advance to the Asia Pacific Finals.
b. The Asia Pacific Finals will feature six Hong Kong bands competing on the same stage with six bands from across the Asia Pacific region to compete for the top honours.
c. The six Hong Kong bands that advance to the Asia Pacific Finals are required to perform on one of the days (either 12 or 13 December 2026) at the "Asia Pacific Sonic Surge 2026", held at the same venue. The performance duration for each band is estimated to be approximately 30 minutes.
Eligibility
a. All band members must be aged 35 or under (as of 11 December 2026).
b. At least 50% of band members must hold a valid Hong Kong Identity Card (HKID).
c. Bands must consist of 2 to 6 members, with at least 2 members performing on instruments. Each participant may only represent and compete for one band.
d. The band roster submitted at the time of application is final. No replacements or additions of members are permitted throughout the entire competition (both the Hong Kong Regional Contest and the Asia Pacific Finals).
e. Bands that have previously participated in the "Youth Band Sound Competition" presented by the Hong Kong Federation of Youth Groups are welcome to re-apply, provided they do not reuse past award-winning songs (see "Song Requirements" for details).
Song Requirements
a. Entries must be original songs in any musical genre or style. However, the songs and performances must not contain any political or religious remarks, profanity, or inappropriate content. Violation will result in immediate disqualification.
b. The core melody and main lyrics of the entry must be of entirely human origin, and must not directly copy or employ AI-generated outputs.
c. For Hong Kong bands advancing to the Asia Pacific Finals, the competition song must remain unchanged from the original submission during the initial application and be performed in the Hong Kong Regional Contest.
d. The total time allocated per band (including equipment setup, soundcheck, and performance) is 10 minutes. Points will be deducted for any overtime.
e. Any song that has previously won a top 3 placement or an individual award in the past "Youth Band Sound Competition" is ineligible for the 2026 edition.
Instruments and Equipment
a. The Presenter will provide the following backline: 2 guitar amplifiers, 1 bass amplifier, 1 electronic keyboard, 1 drum kit with cymbals, and a professional PA system.
b. Participants must bring their own personal instruments and accessories (e.g., guitars, bass, drumsticks).
c. The use of sequencers, samplers, DJ equipment, and other production gear is permitted.
d. Bands must maintain the same instrumentation and setup throughout the entire competition (both the Hong Kong Regional Contest and the Asia Pacific Finals).
Judging Criteria and Regulations
a. A panel of music professionals will serve as judges.
b. Scoring Rubric (Total 100%): Musical Creativity (25%), Artistic Execution (25%), Band Synergy (25%), and Stage Presence & Style (25%).
c. Score sheets will NOT be distributed to the participants.
d. The decisions of the judging panel are final and absolute. No objections will be entertained.
e. The finalist list will be announced on 13 November on the Hong Kong Federation of Youth Groups - Cultural Services Unit's official website (http://csu.hkfyg.org.hk), Instagram and Facebook. Finalists will also be notified via email.
f. The Presenter reserves the right to disqualify any participating band at its sole discretion.
Awards and Prizes
a. Asia Pacific Regional Champion, 2nd Place, 3rd Place: Cash prizes of HKD $5,000, $3,000, and $2,000 respectively, along with trophies.
b. Hong Kong Regional Champion, 2nd Place, 3rd Place: Cash prizes of HKD $3,000, $2,000, and $1,000 respectively, along with trophies.
c. Individual Awards: Best Lyrics (Hong Kong), Vocalist, Guitarist, Bassist, Drummer, and Keyboardist will each receive HKD $1,000.
d. The Presenter will give priority consideration to Hong Kong finalist bands and make recommendations regarding future performance opportunities.
e. The Presenter reserves the right to make final decisions regarding the presentation of any awards.
Copyright, Privacy, and Rights Reserved
a. The Presenter reserves the right to photograph, audio record, and video record all competition events, performances, and related festival activities, and to utilise these materials for promotional and archival purposes.
b. Personal data collected will be kept strictly confidential and used solely for competition administration.
c. The Presenter reserves the final right to modify or amend these regulations at any time without prior notice.
Application and Payment Method (Hong Kong Regional Contest)
a. Complete the online application form (LINK) and settle the entry fee (HKD $500 per band). The Presenter will contact the band within 3 working days upon receiving the application details to verify eligibility and provide payment instructions.
b. The entry fee is strictly non-refundable once settled. By settling the entry fee, applicants agree to and accept this condition.
c. Application Deadline: 11 September 2026 (Fri) at 12:00 NN (HKT)
Enquiries
Ms. Danielle Zhang
Phone: 2395-5753
Email: [email protected]
Reference
Past Booklets: LINK
Highlight Videos: 2025 Edition | 2024 Edition
截止報名:2026年9月11日(五)香港時間中午12時正
Application Deadline: 11 September 2026 (Fri) at 12:00 NN (HKT)
章程及比賽規則(亞太區樂隊)
Rules and Regulations (Asia Pacific Bands)
章程及比賽規則(亞太區樂隊)
比賽形式及演出邀請
a. 亞太區總決賽將由6隊香港本地樂隊與6隊來自亞太區其他國家及地區的樂隊同場較量,競逐各獎項。
b. 入圍亞太區總決賽之6隊亞太區樂隊,必須參與2026年12月12日(六)於同地(香港文化中心露天廣場C區)舉行之「Asia Pacific Sonic Surge 2026」之演出,每隊演出時間預計約為30分鐘。
參賽資格
a. 樂隊所有成員年齡必須為35歲或以下(以2026年12月11日計算)。
b. 必須有超過半數成員持有代表國家或地區之護照。
c. 樂隊須由2至6位成員組成,當中須有至少2人演奏樂器;每位參賽者僅限代表一支隊伍出賽。
d. 樂隊成員名單以報名時提交的組合為準,比賽期間不得更換或增加成員。
參賽歌曲
a. 參賽作品必須為原創歌曲,音樂形式不限,惟有關歌曲及表演不得涉及政治及宗教言論、粗言穢語、不良意識等,違規者將被取消參賽資格。
b. 參賽作品之核心旋律與歌詞主體須為人類原創,不得直接複製或採用人工智能生成之成品。
c. 亞太區總決賽之參賽歌曲,必須與報名時提交之原創歌曲相同。
d. 每隊器材調校及演出時間總長不得超過10分鐘,逾時者將被扣分。
樂器和設備
a. 現場提供:結他擴音器2部、低音結他擴音器1部、電子琴1部、鼓組連鈸片及專業音響系統。
b. 參賽者須自備個人樂器及配件(如結他、低音結他、鼓棒等)。
c. 允許使用音序器、採樣器、DJ設備等各種製作類器材。
評選規則
a. 大會將邀請資深音樂人擔任評判。
b. 評分標準:音樂創意(25%)、藝術演繹(25%)、團隊默契(25%)、台風與形象(25%),合共100%。
c. 恕不提供評分紙予參賽樂隊。
d. 評判團所商議之比賽結果為最終決定,參賽者不得異議。
e. 亞太區總決賽入圍名單將於11月13日在香港青年協會文化藝術組官方網站(http://csu.hkfyg.org.hk)、 Instagram及Facebook 同步公佈,並以電郵另行通知入圍者。
f. 大會保留取消任何隊伍參賽資格之權利。
獎項及獎金
a. 亞太區冠、亞、季軍:依次可獲得現金獎港幣$5,000、$3,000、$2,000,以及獎盃。
b. 香港區冠、亞、季軍:依次可獲得現金獎港幣$3,000、$2,000、$1,000,以及獎盃。
c. 設最佳歌詞(香港區)、歌手、結他手、低音結他手、鼓手及鍵琴手獎項,各獲現金獎港幣$1,000。
d. 大會保留頒發任何獎項之權利。
交通、食宿等安排
a. 大會將為入圍亞太區樂隊成員及助手(每隊上限6人)提供由2026年12月10日至13日(共3晚)之酒店住宿,及每人上限港幣$720之膳食津貼(每日上限:早餐$40,午餐$60及晚餐$80)。津貼總額將按抵港及離港時間以及實際情況計算。上述安排僅適用於為參加比賽而必須入境香港之人士,並須出示入境證明及護照,否則大會保留撤回相關津貼之權利。
b. 大會將提供指定地點接送服務:往返機場、口岸、酒店、比賽場地及音樂節場地等。除此之外的交通費用由樂隊自行承擔。
c. 亞太區樂隊須自行安排並承擔往返香港之交通費用(如機票、火車票等),並須自行購買旅遊保險。
d. 若成員在港停留期間涉及任何形式之工作,須自行與聘請單位協調並辦理相關工作簽證。
版權、私隱及主辦權利
a. 大會有權對比賽及演出進行攝影、錄音及錄影,並使用該素材作推廣用途。
b. 參賽者個人資料將嚴格保密,僅供是次比賽行政用途。
c. 大會保留修改比賽規章之最終權利。
亞太區樂隊報名方法
a. 報名方式:填妥網上報名表格(LINK)。
b. 提交網上報名表格後,將由專人直接聯絡跟進。
c. 亞太區樂隊將獲豁免比賽報名費用。
d. 截止報名:2026年9月11日(五)香港時間中午12時正。
查詢
Ms. Danielle Zhang
電話:2395-5753
電郵:[email protected]
參考資料
歷屆場刊:LINK
精華片段:2025年 | 2024年
Rules and Regulations (Asia Pacific Bands)
Competition Format and Performance Invitations
a. The Asia Pacific Finals will feature six Hong Kong bands competing on the same stage with six bands from across the Asia Pacific region to compete for the top honours.
b. The six shortlisted bands from the Asia Pacific region are required to perform at the "Asia Pacific Sonic Surge 2026", held at the same venue on 12 December 2026 (Sat). The performance duration for each band is estimated to be approximately 30 minutes.
Eligibility
a. All band members must be aged 35 or under (as of 11 December 2026).
b. At least 50% of band members must hold a passport from the country or region they represent.
c. Bands must consist of 2 to 6 members, with at least 2 members performing on instruments. Each participant may only represent and compete for one band.
d. The band roster submitted at the time of application is final. No replacements or additions of members are permitted.
Song Requirements
a. Entries must be original songs in any musical genre or style. However, the songs and performances must not contain any political or religious remarks, profanity, or inappropriate content. Violation will result in immediate disqualification.
b. The core melody and main lyrics of the entry must be of entirely human origin, and must not directly copy or employ AI-generated outputs.
c. Finalists must perform the same original song as submitted during the initial application.
d. The total time allocated per band (including equipment setup, soundcheck, and performance) is 10 minutes. Points will be deducted for any overtime.
Instruments and Equipment
a. The Presenter will provide the following backline: 2 guitar amplifiers, 1 bass amplifier, 1 electronic keyboard, 1 drum kit with cymbals, and a professional PA system.
b. Participants must bring their own personal instruments and accessories (e.g., guitars, bass, drumsticks).
c. The use of sequencers, samplers, DJ equipment, and other production gear is permitted.
Judging Criteria and Regulations
a. A panel of music professionals will serve as judges.
b. Scoring Rubric (Total 100%): Musical Creativity (25%), Artistic Execution (25%), Band Synergy (25%), and Stage Presence & Style (25%).
c. Score sheets will NOT be distributed to the participants.
d. The decisions of the judging panel are final and absolute. No objections will be entertained.
e. The finalist list will be announced on 13 November on the Hong Kong Federation of Youth Groups - Cultural Services Unit's official website (http://csu.hkfyg.org.hk), Instagram and Facebook. Finalists will also be notified via email.
f. The Presenter reserves the right to disqualify any participating band at its sole discretion.
Awards and Prizes
a. Asia Pacific Regional Champion, 2nd Place, 3rd Place: Cash prizes of HKD $5,000, $3,000, and $2,000 respectively, along with trophies.
b. Hong Kong Regional Champion, 2nd Place, 3rd Place: Cash prizes of HKD $3,000, $2,000, and $1,000 respectively, along with trophies.
c. Individual Awards: Best Lyrics (Hong Kong), Vocalist, Guitarist, Bassist, Drummer, and Keyboardist will each receive HKD $1,000.
d. The Presenter reserves the right to make final decisions regarding the presentation of any awards.
Transportation and Accommodation Arrangements
a. The Presenter will provide hotel accommodation for up to six members (including band members and assistants) per shortlisted Asia Pacific band for three nights (10-13 December 2026). A per diem allowance of up to HKD $720 per person will be provided (Breakfast: $40; Lunch: $60; Dinner: $80 per meal). The final amount will be calculated based on actual circumstances and arrival and departure times. These provisions are strictly for eligible participants travelling to Hong Kong for this competition. Participants must present valid proof of travel and passports. Failure to do so will result in forfeiture of these benefits.
b. The Presenter will provide shuttle services for Asia Pacific bands on designated routes: Between Airport / Control Points, Hotel, and Competition/Performance Venue. All other transportation costs and arrangements are the sole responsibility of the bands.
c. Asia Pacific bands are responsible for arranging and paying for their own round-trip travel to Hong Kong (e.g., airfare, train tickets) as well as their own travel insurance.
d. Should any participant engage in external work during their stay in Hong Kong, they are solely responsible for coordinating with the hiring entity and securing the necessary work visa.
Copyright, Privacy, and Rights Reserved
a. The Presenter reserves the right to photograph, audio record, and video record all competition events, performances, and related festival activities, and to utilise these materials for promotional and archival purposes.
b. Personal data collected will be kept strictly confidential and used solely for competition administration.
c. The Presenter reserves the final right to modify or amend these regulations at any time without prior notice.
Application Method (Asia Pacific Bands)
a. Complete the online application form (LINK).
b. The Presenter will follow up with the applicant directly after receiving the application.
c. Entry fee is waived for Asia Pacific applicants.
d. Application Deadline: 11 September 2026 (Fri) at 12:00 NN (HKT)
Enquiries
Ms. Danielle Zhang
Tel: 2395-5753
Email: [email protected]
Reference
Past Booklets: LINK
Highlight Videos: 2025 Edition | 2024 Edition
截止報名:2026年9月11日(五)香港時間中午12時正
Application Deadline: 11 September 2026 (Fri) at 12:00 NN (HKT)
香港區選拔賽評判
Hong Kong Regional Contest Judges

韜To@逆流NiLiu
豐富舞台及音樂教學經驗,多年來於各大世界城市進行演出。
現任樂隊:逆流、黃貫中樂隊
Seasoned Guitarist / Pop & Rock Musician / Music Arranger & Producer
Extensive experience in stage performance and music education, having toured in major cities worldwide over the years.
Current Bands: NiLiu, Paul Wong's Band

布Po@極美樂團GIMAG
Vater 鼓棒香港區代言人
Lava Music Entertainment 創辦人之一 及 樂隊經理人
Drummer of GIMAG Band
Hong Kong Regional Endorser for Vater Drumsticks
Co-Founder and Band Manager of Lava Music Entertainment

hirsk
A Hong Kong producer and live electronic artist, holding a degree in Electronic Music Production and Sound Design from Berklee College of Music. International festival appearances include Munich's Frameworks Festival, Shanghai's Strawberry Music Festival, and Singapore's Baybeats Festival. In 2021, he won Best Instrumental Album Producer at the 32nd Golden Melody Awards for his debut album noista/gia (Dark Paradise Records), making him the first Hong Kong electronic musician to receive this honour. Two years later, he served as a jury member for the 34th Golden Melody Awards. He has produced/arranged nearly 100 tracks, collaborating with artists such as JACE, Kiri T, Sophy, elka, COLLAR, Serrini, and Jingfei Chen. In recent years, he has expanded into theatre and interdisciplinary projects as a music director and sound designer.
亞太區總決賽評判
The Asia Pacific Finals Judges

袁智聰 Yuen Chi-chung
Yuen Chi-chung is a veteran music critic, music influencer and curator, active since 1987. He founded the influential Hong Kong new music magazine Music Colony Bi-weekly (1994-2004), and has written extensively on a wide range of genres and artists. He is also a music culture tutor, an eclectism DJ. And the former creative director of Ear Up Incubation.

Adrian Chan
近期與Adrian合作製作歌曲的有黃姸、陳蕾、Charming Way、ToNick、Supper Moment、Dear Jane、Nowhereboys、Cozy Syndrome、Andy Is Typing、Sulis、Turbulent 和 極美等。
最近三年,他亦擔任浸會大學流行音樂系的樂隊訓練兼任導師。正如Adrian常說道,可以令本地的流行音樂百花齊放便是他童年時期一直在腦海中的"搖滾夢"!
Starting his career as a recording engineer apprentice in 1989, Adrian transformed himself within a few years into an established composer, arranger, mixing engineer, and producer in Hong Kong's pop music industry. Throughout the 1990s, his name was widely featured across iconic works by legendary artists such as Faye Wong, Leslie Cheung, George Lam, Hacken Lee, and Sammi Cheng, as well as renowned bands and groups including Tai Chi, Beyond and SoftHard. Since then, he has continuously produced diverse pop genres, offering discounted production rates to empower indie and self-funded musicians, playing an integral role behind the breakout hits of Hong Kong's next-generation acts.
In recent years, he collaborates on track production with Cath Wong, Panther Chan, Charming Way, ToNick, Supper Moment, Dear Jane, Nowhereboys, Cozy Syndrome, Andy Is Typing, Sulis, Turbulent, Gimag and more.
He has also served as an adjunct tutor throughout the past three years to train students' pop bands designed by the Pop Music Division of Hong Kong Baptist University. Driven by a lifelong passion, it would always fulfil Adrian's childhood "Rock and Roll Dream" when he endeavours to foster a diverse and thriving Hong Kong music scene.

麥文威 Jimmy Mak (Lo-Jim)
曾參與樂隊:Anodize亞龍大 (1989-1999)、 黃貫中與汗 (1999-2005)、LMF大懶堂 (1999-現在)、Paul Wong & The Postman (2010-現在)、Josie & The Uni Boys,及COOPER樂隊 (2015-現在)。
二十多年豐富音樂演出經驗,活躍於亞洲及歐洲區各大小音樂會(香港、澳門、內地各大城市、台灣、新加坡、馬來西亞、日本、韓國、澳洲、西班牙、冰島等)。
Began playing guitar at age 19 and formed his first band at 20. Driven by an unwavering passion, he is a full-time professional musician specialising in bass and guitar. Alongside his 20+ years in rock music, he serves as a Freestyle BMX judge for the Hong Kong Federation of Extreme Sports (X-Fed) and an official judge for the Asian Extreme Sports Federation (AXF).
Featured Bands & Collaboration: Anodize (1989-1999), Paul Wong & Hann (1999-2005), LMF (1999-present), Paul Wong & The Postman (2010-present), Josie & The Uni Boys, and COOPER (2015-present).
Brings over two decades of live performance experience, actively touring major concerts and festivals across Asia and Europe, including Hong Kong, Macau, Chinese Mainland, Taiwan, Singapore, Malaysia, Japan, South Korea, Australia, Spain, Iceland, and more.

Kelyn Yuen
她擁有豐富的公關與媒體新聞背景(曾任職於鳳凰衛視、Vice & Noisey中國及香港01),深耕音樂、文化及娛樂傳播領域;並曾參與國泰航空、嘉士伯、紅牛、Adidas及滙豐等國際頂尖品牌的音樂節相關行銷企劃,在本地、區域及全球的活動、音樂、行銷、公關及娛樂產業中均擁有卓越表現。
Kelyn從事音樂娛樂文化及媒體工作超過十年,曾獲多個市場推廣及公關獎項,並期望持續為其熱愛的產業帶來正面影響。
As the Marketing Lead of Clockenflap , Kelyn Yuen is an integral team member of the Clockenflap Music & Arts Festival, Sónar Hong Kong, Clockenflap Music and Clockenflap Presents live series.
With extensive experience in PR, Media & Journalism (Phoenix Satellite TV, Vice & Noisey China and HK01) specialising in music & entertainment promotion, coupled with award-winning marketing credentials (working on some of the world's biggest brands including Cathay Pacific, Carlsberg, Red Bull, Adidas, HSBC), Kelyn has a proven track record within event, music, marketing, public relationship and entertainment industries across local, regional and global contexts.
Kelyn takes pride in having a positive impact on the industry she loves.

偉Wai@RubberBand
除RubberBand的創作與演出外,亦積極參與不同音樂項目,曾合作的歌手及樂隊包括陳奕迅、古巨基、小肥、方皓玟、陳慧敏及Blaster等。
Bass guitarist of the renowned Hong Kong pop-rock band RubberBand. Since the band's debut in 2008, he has released 11 studio albums with RubberBand and performed at numerous major concerts, music festivals, and crossover live shows.
Beyond his creative work and performances with RubberBand, he actively contributes to a range of music projects as a live session musician and collaborator. Artists and bands he has worked with include Eason Chan, Leo Ku, Terence Siufay, Charmaine Fong, Vivian Chan, Blaster, and more.

